Artworks

  • Martyn Quinn, Tsunami, 2019
    Martyn Quinn
    Tsunami, 2019
    Oil paint on round metal
    20 inches round
    Signed, titled and Dated on reverse
  • Mary Abbott, Beach, Southhampton, Circa 1988
    Mary Abbott
    Beach, Southhampton, Circa 1988
    Watercolor on paper
    7 x 10 inches
    Signed "Abbott" in pencil lower right and "M. Abbott" upside down at upper left, titled, marked "Top" and "Bottom" on verso, and signed and inscribed upside-down, "Beach, Southampton, End at road as dusk & storm comes, maybe I'll get killed, M. Abbott”
  • Maybelle Stamper, A Song of The Sea, with one Star (Captiva Island), 1966
    Maybelle Stamper
    A Song of The Sea, with one Star (Captiva Island), 1966
    Oil on Board
    10 1/8 x 12 3/4 inches
    Signed, Titled, Dated on Reverse
  • Maybelle Stamper, Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Maybelle Stamper
    Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Watercolor, pen and graphite on wove paper
    11.5 x 16 inches
    Signed on front left bottom
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled , Circa 1930s
    Maybelle Stamper
    Untitled , Circa 1930s
    Oil on Board
    14 x 12
    Signed on front right bottom
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (abstract study), Circa 1950s
    Maybelle Stamper
    Untitled (abstract study), Circa 1950s
    Oil on torn handmade paper
    10.25 x 7.50 inches
    Signed on top middle
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (Bird) , Circa 1940s
    Maybelle Stamper
    Untitled (Bird) , Circa 1940s
    Watercolor, and pen on paper
    14 x 10 inches
    Signed bottom right
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (Bird) , Circa 1930s
    Maybelle Stamper
    Untitled (Bird) , Circa 1930s
    Charcoal and graphite on drawing paper
    18.5 x 14 inches
    Signed top left edge
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Illustration for Poems "Design for Dying” by Virginia Bethel, Circa 1950s
    Maybelle Stamper
    Illustration for Poems "Design for Dying” by Virginia Bethel, Circa 1950s
    Hand-colored lithograph on paper, with drawing of Bird on reverse of paper
    8 x 9 inches
    Signed and annotated on lithograph sleeve
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled Seascape, Circa 1940s
    Maybelle Stamper
    Untitled Seascape, Circa 1940s
    Oil on paper mounted on board
    15.5 x 26 inches
    Signed bottom right
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Mel Ramos, Zebra, 1979
    Mel Ramos
    Zebra, 1979
    6 Color Lithograph
    25 1/2 x 20 1/2 inches
    Edition of 250
    Signed and Dated
  • Milton Avery, Nude with Drape, Circa 1955
    Milton Avery
    Nude with Drape, Circa 1955
    Pencil on paper
    11 x 8 1/2 inches
    Signed
  • Milton Avery, Seated Nude with Velvet Ribbon, Circa 1950
    Milton Avery
    Seated Nude with Velvet Ribbon, Circa 1950
    Pencil on paper
    13 3/4x16 3/4 inches
    Signed in ball-point pen and blue ink, lower right recto
  • Milton Avery, Standing Nude seen from Behind, Circa 1950
    Milton Avery
    Standing Nude seen from Behind, Circa 1950
    Pencil on cream wove paper
    11 x 8 1/2 inches
    Signed in pencil, lower right recto
  • Mirza Cizmic, Stolen Memories-Utopia (mother with child), 2021
    Mirza Cizmic
    Stolen Memories-Utopia (mother with child), 2021
    Oil on primed paper
    30 x 22 inches
    Signed and Dated
  • Mirza Cizmic, Secret Life of Mr. Bear, 2021
    Mirza Cizmic
    Secret Life of Mr. Bear, 2021
    Oil on primed paper
    22 x 30 inches
    Signed and Dated
  • Mirza Cizmic, Midnight call Part II, 2021
    Mirza Cizmic
    Midnight call Part II, 2021
    Oil on primed paper
    11.5 x 17 inches
    Signed and Dated
  • Mona Kuhn, Amsterdam VI, 2004
    Mona Kuhn
    Amsterdam VI, 2004
    Chromogenic dye coupler
    Photograph
    20 × 20 in
    Edition of 10
    Signed, Dated and Numbered
  • Morgan, Untitled (Green Abstract Composition), 1966
    Morgan
    Untitled (Green Abstract Composition), 1966
    Painted metal form
    24 x 24 x 7 inches
    Signed Morgan and Dated (verso)
  • Moyosore Martins, Untitled I, 2023
    Moyosore Martins
    Untitled I, 2023
    Oil Stick, pigments and Charcoal on canvas
    28 x 22 inches
    Signed & dated
  • Moyosore Martins, Untitled II, 2023
    Moyosore Martins
    Untitled II, 2023
    Mixed media and Oil paint, Oil Stick and Charcoal on canvas
    28 x 22 inches
    Signed and Dated
  • Murjoni Merriweather, Elara, 2021
    Murjoni Merriweather
    Elara, 2021
    Ceramic, Glitter, yarn, found earrings and synthetic fair
    20.5 x 7 x 10 inches
    Signed
  • Nan Goldin, Lost Horizon, 2021
    Nan Goldin
    Lost Horizon, 2021
    Archival pigment print
    6 × 6 inches
    From an unknown edition
    Signed
  • Nan Goldin, The Women’s March, 1789, 2019
    Nan Goldin
    The Women’s March, 1789, 2019
    Color Multiple print
    12 x 12 inches
    Edition of 250
    Signed, Numbered and Dated
  • Nancy Gifford, At a Loss for Words, 2025
    Nancy Gifford
    At a Loss for Words, 2025
    Hieroglyphics Series, Vol 1, Version 3
    Acrylic Mirror Sheet, Acrylic paint, wood, mounted on cradled birch
    40 x 30 x 3.5 inches
    Signed Dated and Titled on reverse
  • Nancy Gifford, Waiting For a Miracle, 2022
    Nancy Gifford
    Waiting For a Miracle, 2022
    Acrylic, graphite, paper, plastic on birch panel
    12 x 12 x 3 inches
    Signed, Dated and Titled on reverse
  • Nick Gentry, Surface, 2014
    Nick Gentry
    Surface, 2014
    Film Negatives, Oil Paint and Resin, on glass panels in LED Lightbox
    33 x 25 x 6 inches
    Signed and Dated
  • Nick Gentry, Binary, 2021
    Nick Gentry
    Binary, 2021
    Used floppy disks and paint on wood
    19 x 32 inches
    Signed and Dated
  • Nick Gentry, Constuct (diptych), 2011
    Nick Gentry
    Constuct (diptych), 2011
    Mixed Media Oil paint, Computer Disks on two wood panels
    9 x 19 inches
    Signed and Dated
  • Nick Gentry, Mask 1, 2023
    Nick Gentry
    Mask 1, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    20.5 x 29.5 inches
    Signed and Dated
  • Nick Gentry, Populous, 2023
    Nick Gentry
    Populous, 2023
    Used computer disks and oil paint on wood
    37 x 28 inches
    Signed and Dated
  • Nick Gentry, Replicant 3, 2023
    Nick Gentry
    Replicant 3, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    20.5 x 29.5 inches
    Signed and Dated
  • Nick Gentry, Profile Number 3, 2011
    Nick Gentry
    Profile Number 3, 2011
    Mixed paint and used computer disks on wood
    8 x 8 inches
    Signed and Dated
  • Nick Gentry, The Fool, 2023
    Nick Gentry
    The Fool, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    10 x 9 inches
    Signed and Dated
  • Nick Gentry, Alien Landscape 1, 2024
    Nick Gentry
    Alien Landscape 1, 2024
    Vintage computer punch cards and gouache paint
    8.25 x 22 inches
    Signed & Dated
  • Nick Gentry, Martian Landscape 1, 2024
    Nick Gentry
    Martian Landscape 1, 2024
    Vintage computer punch cards and gouache paint
    13 inches x 29.5 inches
    Signed & Dated
  • Nick Gentry, Analogue Montage Number 1, 2023
    Nick Gentry
    Analogue Montage Number 1, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    32.25 x 37 inches.
    Signed and Dated
  • Nick Gentry, Civilian, 2024
    Nick Gentry
    Civilian, 2024
    Oil and acrylic paint on linen
    47 x 35 inches
    Signed & Dated
  • Nick Gentry, Blockhead 1, 2024
    Nick Gentry
    Blockhead 1, 2024
    Oil and acrylic paint on linen
    40 x 28 inches
    Signed & Dated
  • Nick Gentry, Nightvision, 2024
    Nick Gentry
    Nightvision, 2024
    Oil and acrylic paint on linen
    24 x 16 inches
    Signed & Dated
  • Nick Gentry, Operator, 2024
    Nick Gentry
    Operator, 2024
    Oil and acrylic paint on linen
    24 x 16 Inches
    Signed & Dated
  • Nick Gentry, E2 – E4, 2024
    Nick Gentry
    E2 – E4, 2024
    Oil and acrylic paint on canvas
    40 x 30 inches
    Signed & Dated
  • Nicola L, Lips Lamp (Levres floor lamp), 1969
    Nicola L
    Lips Lamp (Levres floor lamp), 1969
    Patinated steel, chromed metal, molded and tinted plexiglass
    53 1/2 x 27 1/2 inches
    Edition of 25
    Signed "Nicola 1969”
  • Nicolas Party, Flowers and few colors, 2013
    Nicolas Party
    Flowers and few colors, 2013
    Color Screenprint
    36 x 28 inches
    Edition of 40
    Signed and Dated
  • Norman Rockwell, Untitled Study (Reclining Female & Portrait Study), Circa 1950s
    Norman Rockwell
    Untitled Study (Reclining Female & Portrait Study), Circa 1950s
    Watercolor and Graphite on cream Wove paper
    15 3/4 x 24 1/4 inches
    Signed in ink
  • Norris Embry, Untitled, 1979
    Norris Embry
    Untitled, 1979
    Mixed media, painting on paper
    24 × 18 inches
    Signed
  • Otis Hope Carey, Gaagal (Ocean) Orange, 2025
    Otis Hope Carey
    Gaagal (Ocean) Orange, 2025
    Acrylic on canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    13 x 10 inches
    25 x 33 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) , 2025
    Otis Hope Carey
    Gaagal (Ocean) , 2025
    Acrylic on stretched canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2023
    Otis Hope Carey
    Gaagal (Ocean), 2023
    Acrylic on canvas
    47 × 36 in
    119.4 × 91.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) Pink, 2025
    Otis Hope Carey
    Gaagal (Ocean) Pink, 2025
    Acrylic on stretched canvas
    12 × 10 in
    30.5 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2024
    Otis Hope Carey
    Gaagal (Ocean), 2024
    Acrylic on stretched canvas
    26 × 25 inches
    66 × 63.5 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) Yellow, 2025
    Otis Hope Carey
    Gaagal (Ocean) Yellow, 2025
    Acrylic on stretched canvas
    12 × 10 in
    30.5 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    25 x 25 inches
    63.5 x 63.5 cm
    Signed and Dated
  • Pablo Picasso, Gentilhomme, Femme honteuse et Reître, from: Séries 347, 1968
    Pablo Picasso
    Gentilhomme, Femme honteuse et Reître, from: Séries 347, 1968
    Etching, on wove paper
    11 x 14 inches
    Edition of 50
    Signed and numbered
  • Pablo Picasso, Oursin (A.R. 268), 1955
    Pablo Picasso
    Oursin (A.R. 268), 1955
    White earthenware ceramic bowl with colored engobe and glaze
    Edition 97/150
    Diameter: 6 7⁄8 inches
    Dated '31.3.55.' (in reverse; lower centre); stamped, marked and numbered 'Madoura Empreinte Originale de Picasso / K. 116 97/150' (underneath)
  • Pablo Picasso, Groupe avec homme dans un fauteuil à boules, pl. 21 (from Serie 347), 1968
    Pablo Picasso
    Groupe avec homme dans un fauteuil à boules, pl. 21 (from Serie 347), 1968
    Drypoint Intaglio Etching on white wove.
    Edition of 50
    12 x 16.1 inches
    Signed lower right
  • Pablo Picasso, Picador (Bullfighter), 1953
    Pablo Picasso
    Picador (Bullfighter), 1953
    Red Earthware Turned Bowl, painted in black with colored engobe and partial brushed glaze
    Edition 414 of 500
    6 1/2 inches diameter
    (and incised 'EDITION PICASSO' and 'MADOURA' in black paint on the underside)
  • Pablo Picasso, Yan Barbu (Bearded Yan), 1963
    Pablo Picasso
    Yan Barbu (Bearded Yan), 1963
    Red earthware turned pitcher, with black engine and partial engraving
    Edition of 300
    10 x 6.125 x 4.75
    Incised 'EDITION PICASSO', numbered and annotated, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.
  • Pablo Picasso, Paysage (Landscape), 1953
    Pablo Picasso
    Paysage (Landscape), 1953
    White Earthware ceramic plate, painted in colors, partially engraved, with black engobe and glaze
    Edition of 200
    16 1/2 inches (diameter)
    Inscribed with the Madoura Plein Feu and Edition Picasso pottery stamps on the underside.
  • Paul Jenkins, Untitled , 1960
    Paul Jenkins
    Untitled , 1960
    Watercolor on paper, mounted on masonite
    11 1/4 x 8 1/2 inches
    Signed on Front, also Signed, Dated and inscribed on reverse
  • Paul Wackers, Untitled, 2021
    Paul Wackers
    Untitled, 2021
    Ink, Spray paint, mixed media collage on paper
    14 x 11 inches
    Signed and Dated
  • Peter Halley, Untitled (from the BAM III Portfolio), 1991
    Peter Halley
    Untitled (from the BAM III Portfolio), 1991
    Lithograph on Laid Paper
    21.75 x 15.75 inches
    Edition of 75
    Signed and Numbered
  • Peter Wegner, 12 Unnamed Colors, 2002
    Peter Wegner
    12 Unnamed Colors, 2002
    Enamel on aluminum
    72 x 12 1 1/8 inches
    Signed and Dated
  • Peter Wegner, Dreamy Blue (4C10-4), 1999
    Peter Wegner
    Dreamy Blue (4C10-4), 1999
    Oil Based media on plywood
    14 3/8 x 15 7/8 inches
    Signed on reverse
  • Peter Wegner, Dreamy Blue (KM318-D), 1999
    Peter Wegner
    Dreamy Blue (KM318-D), 1999
    Oil Based media on plywood
    14 3/8 x 15 7/8 inches
    Signed on reverse
  • Ray Parker, Untitled, 1980
    Ray Parker
    Untitled, 1980
    Color Silkscreen on paper
    35.25 x 45.5 inches
    Edition of 90
    Signed, Numbered and Dated
  • Ray Parker, Untitled, From the Art in America Graphics 70 Suite, 1970
    Ray Parker
    Untitled, From the Art in America Graphics 70 Suite, 1970
    Color Lithograph on wove paper
    11 x 14.25 inches
    Edition of 100
    Signed and Numbered
  • Refael Salem, Niclas, 2022
    Refael Salem
    Niclas, 2022
    Oil on canvas
    8.9 x 11.8 inches
    Signed and dated
  • Richard Diebenkorn, Touched Red, 1991
    Richard Diebenkorn
    Touched Red, 1991
    Color softground etching, aquatint, and spitbite etching with drypoint on Rives Heavyweight paper
    35 3/4 x 26 3/4 inches
    Edition of 85
    Signed and Numbered
  • Richard Hoglund, Rose III, 2020
    Richard Hoglund
    Rose III, 2020
    Oil and graphite on Linen
    13 x 10.25 inches
    Signed on reverse
  • Richard Lindner, Wunder Kind No. X, 1951
    Richard Lindner
    Wunder Kind No. X, 1951
    Watercolor and Pencil on heavy paper
    33.5 x 19.5 inches
    Signed and Dated., and titled on front
  • Richard Pettibone, Roger DeCoster, 1973
    Richard Pettibone
    Roger DeCoster, 1973
    Oil on Canvas
    6.125 x 9 inches
    Signed, Titled and Dated
  • Robert Mangold, Multiple Panel Paintings, suite, 1992
    Robert Mangold
    Multiple Panel Paintings, suite, 1992
    Screenprint in colors on Fabriano paper
    11.63 x 23.88 inches (each)
    Edition of 300
    Signed and Numbered
  • Robert Motherwell, Primal Sign I, 1979-1980
    Robert Motherwell
    Primal Sign I, 1979-1980
    Color Aquatint and lift-ground etching on paper
    23.5 x 18 inches
    Edition of 60
    Signed and Numbered
  • Robert Motherwell, Red Wind, 1987
    Robert Motherwell
    Red Wind, 1987
    Color Lithograph and linoleum block print on handmade Japan with chine appliqué on Arches
    23 x 28 inches
    Edition of 50 + 10 Artist Proofs
    Signed and numbered
  • Robert Natkin, Untitled (from the Bern Series), Circa 1982
    Robert Natkin
    Untitled (from the Bern Series), Circa 1982
    Acrylic on paper
    30 x 22 inches
    Signed
  • Robert Natkin, Untitled , 1980
    Robert Natkin
    Untitled , 1980
    Collage and acrylic on canvas
    26.25 x 38 x 2.25 inches
    Signed, Dated, and Stamped with inventory number “096A" on reverse stretcher bar
  • Robert Rauschenberg, Publicon Station I, 1978
    Robert Rauschenberg
    Publicon Station I, 1978
    Lacquer-coated wood multiple with collage of fabric, gold leafed paddle, enamel over polished aluminum, light bulbs and Plexiglas
    59 x 30 x 12 inches
    Edition of 30
    Signed and dated in ink on the reverse
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