Artworks

  • Ian Banja, Black Excellence III, 2022
    Ian Banja
    Black Excellence III, 2022
    Acrylic on Canvas
    51 x 43 inches
    Signed
  • Invader, Invader Guide / Mission Miami, 2012
    Invader
    Invader Guide / Mission Miami, 2012
    Unique Micro mosaic tiles on hardcover book in custom plexiglass case

    9.3 x 7.7 x 1 inches
    Edition of 50
    Signed, dated and Numbered
    Note: Each work within this numbered edition is a unique artwork, with 50 widely different variations on book cover.
  • Jack Youngerman, untitled, 1989
    Jack Youngerman
    untitled, 1989
    Bronze (light green patinated)
    32 x 24 x 2.52 inches
  • Jack Youngerman, untitled, 1987
    Jack Youngerman
    untitled, 1987
    Bronze
    16 x 12.52 x 3.27 inches
    Signed, and Dated on Reverse
  • Jack Youngerman, untitled, 1988
    Jack Youngerman
    untitled, 1988
    Aluminum
    24.5 x 30 x 5 inches
  • Jack Youngerman, untitled, 1990
    Jack Youngerman
    untitled, 1990
    Wood
    12 x 13 x 2.52 inches
  • Jack Youngerman, untitled, 1986
    Jack Youngerman
    untitled, 1986
    Bronze (dark green patinated)
    16 x 15. x 4 inches
  • Jack Youngerman, untitled, 1986
    Jack Youngerman
    untitled, 1986
    Bronze (light green patinated)
    16 x 15 x 4 inches
  • Jack Youngerman, Untitled , 1969 - 1972
    Jack Youngerman
    Untitled , 1969 - 1972
    Unique Color paper cutout / Layered Collage
    11 x 11 inches
    Signed and dated
  • Jack Youngerman, Little Blue , 1960
    Jack Youngerman
    Little Blue , 1960
    Oil on Canvas
    25 x 26 inches
    Signed, Titled and Dated on Reverse
  • Jack Youngerman, Untitled (Drawing 2), 1985
    Jack Youngerman
    Untitled (Drawing 2), 1985
    Charcoal on paper
    30 x 22 inches
    Signed and Dated
  • Jack Youngerman, Untitled (Drawing 1), 1985
    Jack Youngerman
    Untitled (Drawing 1), 1985
    Charcoal on paper
    40 x 32 inches
    Signed and Dated
  • Jack Youngerman, Untitled 1, from the White Portfolio, 1972
    Jack Youngerman
    Untitled 1, from the White Portfolio, 1972
    Intaglio print
    36 x 27 inches
    Edition of 150
    Signed and Dated
  • Jack Youngerman, Untitled 2, from the White Portfolio, 1972
    Jack Youngerman
    Untitled 2, from the White Portfolio, 1972
    Intaglio print
    36 x 27 inches
    Edition of 150
    Signed and Dated
  • James Bearden, Seeker , 2023
    James Bearden
    Seeker , 2023
    Convertible Vessel with Barnacle Spheres
    Steel, bronze and dyes
    27 1/2 h x 13 w x 12 d inches
  • James McNabb, City Wheel, 2014
    James McNabb
    City Wheel, 2014
    Walnut Oak, with dark mixed wood
    36.5 x 36.5 x 5 inches
    Signed on reverse
  • James Rosenquist, Drawing #14 For Heart Time Flowers, 1980
    James Rosenquist
    Drawing #14 For Heart Time Flowers, 1980
    Acrylic and Mixed Media on paper
    20 x 28 inches
    Signed, Dated, and Titled in Pencil along bottom
  • James Rosenquist, Where the Water goes (from the Welcome to the water planet), 1989
    James Rosenquist
    Where the Water goes (from the Welcome to the water planet), 1989
    Monumental pressed paper pulp in colors with Lithography collage, on handmade TGL paper
    102.75 x 57.9 inches
    Edition of 32
    Signed, Titled, Dated and Numbered
  • James Rosenquist, High Pool, 1966
    James Rosenquist
    High Pool, 1966
    Color Lithograph
    26 x 40 inches
    Edition of 25
    Signed and Numbered
  • James Rosenquist, Gravity Feed, 1978
    James Rosenquist
    Gravity Feed, 1978
    Color Aquatint
    24 x 41 inches
    Edition of 78
    Signed and Numbered
  • James Rosenquist, Circles of Confusion, 1965
    James Rosenquist
    Circles of Confusion, 1965
    Color Screenprint
    24 x 20 inches
    Artist Proof (XL III)
    Signed and Numbered
  • James Rosenquist, Dusting off Roses, 1965
    James Rosenquist
    Dusting off Roses, 1965
    Color Lithograph on white wove paper
    30 x 22 inches
    Edition of 35
    Signed, titled and Dated
  • James Rosenquist, Book and Pointer for the fast Student, 1977
    James Rosenquist
    Book and Pointer for the fast Student, 1977
    Mixed Media, Drawing, collage, transfer with graphite and wash
    22 x 44 inches
    Signed and Dated and Titled
  • James Rosenquist, Marilyn, 1974
    James Rosenquist
    Marilyn, 1974
    Color Lithograph on BFK Rives wove paper
    41.75 x 29.625
    Edition of 75
    Signed, Dated, Titled
  • James Rosenquist, Sketch for Horse Blinders, 1968
    James Rosenquist
    Sketch for Horse Blinders, 1968
    Mixed Media Painting; Watercolor, Pastel, Graphite, Aluminum foil, collage on paper
    22 1/2 x 30 inches
    Signed, Titled, Dated
  • Jasper Johns, Untitled 1988, 1988
    Jasper Johns
    Untitled 1988, 1988
    Carborundum
    35 x 47 inches
    Edition of 36
    Signed and Numbered
  • Jasper Johns, Ventriloquist, 1990
    Jasper Johns
    Ventriloquist, 1990
    Lithograph, on J. Whatman paper, with full margins
    39.9 x 26.5 inches
    Edition of 70
    Signed and Dated in pencil
  • Jasper Johns, Untitled , 1988
    Jasper Johns
    Untitled , 1988
    Carborundum
    29 x 22 inches
    Edition of 28
    Signed and Numbered
  • Jaume Plensa, Faith is taking the first step even when you don’t see the whole staircase, 2022
    Jaume Plensa
    Faith is taking the first step even when you don’t see the whole staircase, 2022
    Relief printing on Super Alfa paper
    30 x 22 inches
    Edition of 15
    Signed, Numbered and Dated
  • Jaume Plensa, 2022
    Jaume Plensa
    Relief printing on Super Alfa paper
    30 x 22 inches
    Edition of 15
    Signed, Numbered and Dated
  • Jaume Plensa, 2022
    Jaume Plensa
    Relief printing on Super Alfa paper
    30 x 22 inches
    Edition of 15
    Signed, Numbered and Dated
  • Jean Dufy, Clocher de village, 1925
    Jean Dufy
    Clocher de village, 1925
    Gouache and watercolor
    25 × 19 inches
    Signed
  • Jean-Pierre Cassigneul, Jeune Fille Nue, 1974
    Jean-Pierre Cassigneul
    Jeune Fille Nue, 1974
    Charcoal Drawing highlighted with White
    44 3/4 x 27 inches
    Signed and Dated
  • Jenny Holzer, Inflammatory Essays 5, 1979-82
    Jenny Holzer
    Inflammatory Essays 5, 1979-82
    Mini Electric LED Sign with Diodes in Colors
    4 x 4.75 inches
    Edition of 100
  • Jenny Holzer, Truism 4 (Mother & Child), 1990
    Jenny Holzer
    Truism 4 (Mother & Child), 1990
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, War, 1992
    Jenny Holzer
    War, 1992
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, Truism 2, 1977-79
    Jenny Holzer
    Truism 2, 1977-79
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, Living 2, 1980-82
    Jenny Holzer
    Living 2, 1980-82
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jess Valdivia, Anthonie, 2013
    Jess Valdivia
    Anthonie, 2013
    Gelatin Silver Print
    20 x 16 inches
    Signed and Dated
  • Jess Valdivia, BunnyHood, 2016
    Jess Valdivia
    BunnyHood, 2016
    Gelatin Silver Print
    20 x 16 inches
    Signed and Dated
  • Jess Valdivia, Mother, 2012
    Jess Valdivia
    Mother, 2012
    Gelatin Silver Print
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, AnaMariaBraided, 2012
    Jess Valdivia
    AnaMariaBraided, 2012
    GelatinSilverPrint
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, Alfred , 2013
    Jess Valdivia
    Alfred , 2013
    Gelatin Silver Print
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, Self Portrait, 2009
    Jess Valdivia
    Self Portrait, 2009
    Gelatin Silver Print
    11 x 14 inches
    Signed and Dated
  • Jim Dine, 2 Washing Palettes, 1963
    Jim Dine
    2 Washing Palettes, 1963
    Graphite & Watercolor on paper
    22 x 30 inches
    Signed and Dated
  • Jim Dine, Untitled - Artist Palette with Heart in Red, Circa 1986
    Jim Dine
    Untitled - Artist Palette with Heart in Red, Circa 1986
    Acrylic on wooden artist’s palette
    12 x 15 inches
    Signed
  • Joan Miró, La Commedia Dell’Art V., 1979
    Joan Miró
    La Commedia Dell’Art V., 1979
    Color Etching and Aquatint on Arches paper
    22 x 29.9 inches
    Edition of 30
    Signed and Numbered
  • Joe Nicastri, Portrait of a Woman (Barbara), 1980
    Joe Nicastri
    Portrait of a Woman (Barbara), 1980
    Acrylic-plaster on board
    18 7/8 x 21 7/8 inches
    Signed and Dated on reverse
  • John Baeder, Untitled, 1977
    John Baeder
    Untitled, 1977
    Watercolor on paper
    11 1/2 x 17 inches
    Signed and Dated on reverse
  • John Baldessari, Lamp, 1998
    John Baldessari
    Lamp, 1998
    Color Inkjet Print
    11 1/2 x 9 inches
    Unknown Edition
    Signed and Dated
  • John Nixon, Untitled (white cross on black - LA), 1992
    John Nixon
    Untitled (white cross on black - LA), 1992
    Enamel on canvas
    18 x 14 inches
    Signed
  • John Reuss, Slab, 2019
    John Reuss
    Slab, 2019
    Acrylic and Charcoal on canvas
    24 × 32 × 3 inches
    Signed
  • John Reuss, Edge, 2019
    John Reuss
    Edge, 2019
    Acrylic and Charcoal on canvas
    32 × 32 × 2 inches
    Signed
  • John Reuss, Dissolve, 2019
    John Reuss
    Dissolve, 2019
    Acrylic and Charcoal on canvas
    24 × 24 × 2 inches
    Signed
  • John Reuss, Disconnect, 2019
    John Reuss
    Disconnect, 2019
    Acrylic and Charcoal on canvas
    24 × 24 × 2 inches
    Signed
  • John Reuss, Shadow Smile, 2019
    John Reuss
    Shadow Smile, 2019
    Acrylic and Charcoal on canvas
    28 × 20 × 2 inches
    Signed
  • John Rogers, Blonde Bunny, 2022
    John Rogers
    Blonde Bunny, 2022
    Oil on Canvas
    16 x 12 inches
    Signed and dated on reverse
  • Jose Felix Perez, Dizzying Heights, 2020
    Jose Felix Perez
    Dizzying Heights, 2020
    Acrylic on Canvas
    20 x 16 inches
    Signed, Dated and titled on reverse
  • Josef Albers, Late, from Soft Edge-Hard Edge, 1965
    Josef Albers
    Late, from Soft Edge-Hard Edge, 1965
    Color Screenprint
    11 x 11 inches
    Edition of 50
    Signed, Numbered, and Dated
  • Josef Albers, Midnight-+-Noon-I, 1964
    Josef Albers
    Midnight-+-Noon-I, 1964
    Color lithograph on Arches paper
    Unique Trial Proof
    15.75 x 15.75 inches
    Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin.
  • Josef Albers, Variants 1 (from the Ten Variants Series), 1966
    Josef Albers
    Variants 1 (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants-III (from the Ten Variants Series), 1966
    Josef Albers
    Variants-III (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants-IV (from the Ten Variants Series), 1966
    Josef Albers
    Variants-IV (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants II, from Ten Variants, 1966
    Josef Albers
    Variants II, from Ten Variants, 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, JHM-I, 1973
    Josef Albers
    JHM-I, 1973
    (from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio)
    Color Screenprint on German Etching paper
    Edition of 144

    25 x 35 inches
    Signed, Dated and Numbered
  • Josef Albers, JHM-II , 1973
    Josef Albers
    JHM-II , 1973
    (from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio)
    Color Screenprint on German Etching paper
    25 x 35 inches
    Edition of 144
    Signed, Dated and Numbered
  • Joseph Cornell, Untitled (2C-38E), 1969
    Joseph Cornell
    Untitled (2C-38E), 1969
    Mixed Media Collage
    12 x 9 inches
    Signed on reverse
    Artist Estate Inventory #UC 17.1D
  • Juan Hamilton, Untitled, circa 1981
    Juan Hamilton
    Untitled, circa 1981
    Black lacquered bronze
    19 x 21 inches
    Signed, Dated on the underside
  • Julian Opie, Four Parking Tickets, 1984
    Julian Opie
    Four Parking Tickets, 1984
    Oil on Steel and Assemblage
    49 x 55 x 21 inches
    Signed and Dated 1984 (on upper ticket)
  • Katherine Bernhardt, Nike Panther, 2019
    Katherine Bernhardt
    Nike Panther, 2019
    Six Color Lithograph on paper
    20 x 30 inches
    Edition of 100
    Signed, Titled, and Numbered
  • Kathy Kissik, Vitality Factory, 2023
    Kathy Kissik
    Vitality Factory, 2023
    Mixed Media
    16 x 16 x 4 inches
    Signed and Dated on reverse
  • Kathy Kissik, Big Factory, 2022
    Kathy Kissik
    Big Factory, 2022
    Mixed Media
    16 x 16 x 4 inches
    Signed and Dated on reverse
  • Kathy Kissik, Ascent , 2023
    Kathy Kissik
    Ascent , 2023
    Mixed Media
    18 x 24 inches
    Signed and Dated on reverse
  • Kathy Kissik, Wildflower, 2023
    Kathy Kissik
    Wildflower, 2023
    Mixed Medium, acrylic, oil paint, ink, gel transfers, photos, varnish on Belgian linen
    48 x 56 x 3 inches
    Signed and Dated
  • Kathy Kissik, Compassion Factory (Factory 49, From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Compassion Factory (Factory 49, From FundaMENTAL Factory Series), 2024
    Mixed media, collage, acrylic paint, found objects, repurposed chrome letter O, epoxy, varnish
    8.5 x 7.5 x 3.75 inches
  • Kathy Kissik, Balance Factory (Factory 48, From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Balance Factory (Factory 48, From FundaMENTAL Factory Series), 2024
    Mixed media, collage, acrylic paint, found objects, repurposed chrome letter O, epoxy, varnish
    8.5 x 7.5 x 3.75 inches
  • Kathy Kissik, Optimism Factory (From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Optimism Factory (From FundaMENTAL Factory Series), 2024
    Mixed media, photos, epoxy, spray paint, trimmer line, grommet, on cradled wood panel
    12 x 9 x 2 inches
    Signed, Titled and Dated on Reverse
  • Kathy Kissik, Play Factory (From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Play Factory (From FundaMENTAL Factory Series), 2024
    Mixed media, photos, epoxy, spray paint, trimmer line, grommet, on cradled wood panel
    12 x 9 x 2 inches
    Signed, Titled and Dated on Reverse
  • Keith Haring, Untitled (long figure), 1988
    Keith Haring
    Untitled (long figure), 1988
    Felt-tip pen on sketch paper
    8.5 x 6 inches (paper)
    Signed and dedicated
  • Keith Haring, Poster for Nuclear Disarmament, 1982
    Keith Haring
    Poster for Nuclear Disarmament, 1982
    Offset-lithograph on heavy glazed paper
    24.125 x 18 inches

    
Signed on edge in felt pen 

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