Artworks

  • Pablo Picasso, Yan Barbu (Bearded Yan), 1963
    Pablo Picasso
    Yan Barbu (Bearded Yan), 1963
    Red earthware turned pitcher, with black engine and partial engraving
    Edition of 300
    10 x 6.125 x 4.75
    Incised 'EDITION PICASSO', numbered and annotated, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.
  • Pablo Picasso, Paysage (Landscape), 1953
    Pablo Picasso
    Paysage (Landscape), 1953
    White Earthware ceramic plate, painted in colors, partially engraved, with black engobe and glaze
    Edition of 200
    16 1/2 inches (diameter)
    Inscribed with the Madoura Plein Feu and Edition Picasso pottery stamps on the underside.
  • Paul Wackers, Untitled, 2021
    Paul Wackers
    Untitled, 2021
    Ink, Spray paint, mixed media collage on paper
    14 x 11 inches
    Signed and Dated
  • Peter Halley, Untitled (from the BAM III Portfolio), 1991
    Peter Halley
    Untitled (from the BAM III Portfolio), 1991
    Lithograph on Laid Paper
    21.75 x 15.75 inches
    Edition of 75
    Signed and Numbered
  • Peter Wegner, 12 Unnamed Colors, 2002
    Peter Wegner
    12 Unnamed Colors, 2002
    Enamel on aluminum
    72 x 12 1 1/8 inches
    Signed and Dated
  • Peter Wegner, Dreamy Blue (4C10-4), 1999
    Peter Wegner
    Dreamy Blue (4C10-4), 1999
    Oil Based media on plywood
    14 3/8 x 15 7/8 inches
    Signed on reverse
  • Peter Wegner, Dreamy Blue (KM318-D), 1999
    Peter Wegner
    Dreamy Blue (KM318-D), 1999
    Oil Based media on plywood
    14 3/8 x 15 7/8 inches
    Signed on reverse
  • Ray Parker, Untitled, 1980
    Ray Parker
    Untitled, 1980
    Color Silkscreen on paper
    35.25 x 45.5 inches
    Edition of 90
    Signed, Numbered and Dated
  • Ray Parker, Untitled, From the Art in America Graphics 70 Suite, 1970
    Ray Parker
    Untitled, From the Art in America Graphics 70 Suite, 1970
    Color Lithograph on wove paper
    11 x 14.25 inches
    Edition of 100
    Signed and Numbered
  • Refael Salem, Niclas, 2022
    Refael Salem
    Niclas, 2022
    Oil on canvas
    8.9 x 11.8 inches
    Signed and dated
  • Richard Diebenkorn, Touched Red, 1991
    Richard Diebenkorn
    Touched Red, 1991
    Color softground etching, aquatint, and spitbite etching with drypoint on Rives Heavyweight paper
    35 3/4 x 26 3/4 inches
    Edition of 85
    Signed and Numbered
  • Richard Lindner, Wunder Kind No. X, 1951
    Richard Lindner
    Wunder Kind No. X, 1951
    Watercolor and Pencil on heavy paper
    33.5 x 19.5 inches
    Signed and Dated., and titled on front
  • Richard Pettibone, Roger DeCoster, 1973
    Richard Pettibone
    Roger DeCoster, 1973
    Oil on Canvas
    6.125 x 9 inches
    Signed, Titled and Dated
  • Robert Graham, MOCA Torso, 1992-95
    Robert Graham
    MOCA Torso, 1992-95
    Patinated Bronze (oxidized patina)
    11 1/4 x 4 1/2 x 4 1/4 inches
    Incised signatures to underside
  • Robert Graham, MOCA Torso, 1992-95
    Robert Graham
    MOCA Torso, 1992-95
    Patinated Bronze
    11 1/4 x 4 1/2 x 4 1/4 inches
    Incised signatures to underside
  • Robert Graham, MOCA Torso, 1992-95
    Robert Graham
    MOCA Torso, 1992-95
    Patinated Bronze (in white)
    11 1/4 x 4 1/2 x 4 1/4 inches
    Incised signatures to underside
  • Robert Indiana, Untitled (from the Stamped Indelibly Portfolio), 1967
    Robert Indiana
    Untitled (from the Stamped Indelibly Portfolio), 1967
    Rubber Stamp on BFK Rives paper
    9.5 x 6.5 inches
    Originated from a Portfolio Book #142 of which 225 books were made
    Signed and Dated
  • Robert Mangold, Multiple Panel Paintings, suite, 1992
    Robert Mangold
    Multiple Panel Paintings, suite, 1992
    Screenprint in colors on Fabriano paper
    11.63 x 23.88 inches (each)
    Edition of 300
    Signed and Numbered
  • Robert Mangold, #9 From Attic Series II, 1991
    Robert Mangold
    #9 From Attic Series II, 1991
    Aquatint with Etching
    32 x 36 inches
    Edition of 60
    Signed and Numbered
  • Robert Mangold, #10 From Attic Series II, 1991
    Robert Mangold
    #10 From Attic Series II, 1991
    Aquatint with Etching
    32 x 36 inches
    Edition of 60
    Signed and Numbered
  • Robert Mangold, Untitled, State A (Color), 1988
    Robert Mangold
    Untitled, State A (Color), 1988
    Color Etchings and Aquatints, on Somerset
    16.5 x 24.5 inches
    Edition of 75
    Signed, Numbered and Dated
  • Robert Motherwell, Primal Sign I, 1979-1980
    Robert Motherwell
    Primal Sign I, 1979-1980
    Color Aquatint and lift-ground etching on paper
    23.5 x 18 inches
    Edition of 60
    Signed and Numbered
  • Robert Motherwell, Red Wind, 1987
    Robert Motherwell
    Red Wind, 1987
    Color Lithograph and linoleum block print on handmade Japan with chine appliqué on Arches
    23 x 28 inches
    Edition of 50 + 10 Artist Proofs
    Signed and numbered
  • Robert Natkin, Untitled (from Bern Series), 1980
    Robert Natkin
    Untitled (from Bern Series), 1980
    Acrylic on canvas
    37 x 49 inches
    Signed at lower center
  • Robert Natkin, Untitled , 1980
    Robert Natkin
    Untitled , 1980
    Collage and acrylic on canvas
    26.25 x 38 x 2.25 inches
    Signed, Dated, and Stamped with inventory number “096A" on reverse stretcher bar
  • Robert Rauschenberg, Publicon Station I, 1978
    Robert Rauschenberg
    Publicon Station I, 1978
    Lacquer-coated wood multiple with collage of fabric, gold leafed paddle, enamel over polished aluminum, light bulbs and Plexiglas
    59 x 30 x 12 inches
    Edition of 30
    Signed and dated in ink on the reverse
  • Robert Rauschenberg, Richard Hines Gallery, Seattle, 1979
    Robert Rauschenberg
    Richard Hines Gallery, Seattle, 1979
    Offset-Lithograph on heavy paper
    35.5 x 23.6 inches
    Edition of 100
    Signed and Numbered
  • Robert Rauschenberg, Bait (Stoned Moon Series), 1970
    Robert Rauschenberg
    Bait (Stoned Moon Series), 1970
    Color Lithograph
    36 x 27 inches
    Edition of 65
    Signed and Dated
  • Robert Rauschenberg, Opal Gospel, 1971
    Robert Rauschenberg
    Opal Gospel, 1971
    10 Colored Screenprints on Plexiglas sheets on a Plexiglas base, in a Stainless Steel box

    18 x 20 inches (each sheet)
    Edition of 230

    Signed and Numbered (each sheet)

  • Robert Rauschenberg, Publicon Station IV, 1978
    Robert Rauschenberg
    Publicon Station IV, 1978
    Nitrocellulose lacquer, collaged silk and cotton fabrics, bicycle wheel, baked epoxy enamel over polished aluminum, Plexiglas and fluorescent light fixture
    open: 52¼ h × 62 w × 13 d inches
    Edition of 30
  • Robert Rauschenberg, Brake (Stoned Moon Series), 1969
    Robert Rauschenberg
    Brake (Stoned Moon Series), 1969
    Lithograph in black on Arches Cover wove paper
    42 x 29 inches
    Edition of 60
    Signed and Dated
  • Robert Rauschenberg, Untitled, 1982
    Robert Rauschenberg
    Untitled, 1982
    Unique Work on paper with Solvent transfer and pencil on paper
    22.2 x 30 inches
    Signed bottom right
  • Robert Rauschenberg, Untitled (From The Runts Series), 2007
    Robert Rauschenberg
    Untitled (From The Runts Series), 2007
    Pigment transfer on Polylaminate
    61 x 73.5 inches
    Signed and Dated lower left
  • Robert Rauschenberg, Landmark, 1968
    Robert Rauschenberg
    Landmark, 1968
    Two Color Lithograph
    42 x 29 inches
    Edition of 60
    Signed, Dated and Numbered
  • Robert Rauschenberg, Local Color (Scenario Series), 2006
    Robert Rauschenberg
    Local Color (Scenario Series), 2006
    Unique, Inkjet pigment transfer on Polylaminate
    85 1/2 x 120 1/2 inches
    Signed and Dated
  • Robert Rauschenberg, Water Stop, 1968
    Robert Rauschenberg
    Water Stop, 1968
    Color Lithograph with Embossing
    31.75 x 54 inches
    Edition of 28
    Signed and Dated lower left
  • Robert Rauschenberg, Untitled (Apron), 1997
    Robert Rauschenberg
    Untitled (Apron), 1997
    Unique Silkscreen on Cotton
    35 x 39 inches
    Signed in marker
  • Robert Rauschenberg, Most Distant Visible Part of the Sea, 1979
    Robert Rauschenberg
    Most Distant Visible Part of the Sea, 1979
    Color Silkscreen and Collage on paper
    30 x 23 1/8 inches
    Signed, Dated and Numbered
    Edition of 100
  • Robert Ryman, Untitled Portfolio , 1991
    Robert Ryman
    Untitled Portfolio , 1991
    (The complete set of five prints, comprised of four aquatints and one etching)
    Etching with Aquatint on Twinrocker and Somerset papers
    Edition of 80
    33 x 33 inches
    Signed, Dated and Numbered

    Published by Parasol Press, Ltd., New York
    Cat. Rais. Amy Baker Sandback, RRG10/1-5
  • Roberto Matta, Les Cadeaux de la Mère Noël et du Père Noël, 1968 - 1969
    Roberto Matta
    Les Cadeaux de la Mère Noël et du Père Noël, 1968 - 1969
    Pencil, Pastel and Crayon on paper
    19.5 x 25.2 inches
    Signed and Titled on front
  • Roberto Matta, Perser I’invisible, 1995
    Roberto Matta
    Perser I’invisible, 1995
    Etching with carborundum with gouache and pastel on handmade paper
    40 1/2 x 40 1/2
    Edition of 125
    Signed and Numbered
  • Ronaldo de Juan, Abstract Composition, 1970
    Ronaldo de Juan
    Abstract Composition, 1970
    Oil on Canvas
    10 x 12 inches
    Signed, dated and inscribed verso on canvas.
  • Ronaldo de Juan, Untitled, 1985
    Ronaldo de Juan
    Untitled, 1985
    Acrylic on board
    60 x 39.75 inches
    Signed, dated, and inscribed R. De Juan NY 1985 (lr), signed, dated and inscribed R. De Juan N. York 1985 on the reverse
  • Rosie Gilligan, Jug, Ciggi and the Houseplant, 2018
    Rosie Gilligan
    Jug, Ciggi and the Houseplant, 2018
    Acrylic on Cotton Canvas
    19.7 x 23.6 inches
    Signed
  • Ross Bleckner, Untitled , 2001
    Ross Bleckner
    Untitled , 2001
    Oil, Wax, Encaustic on canvas
    36 x 36 inches
    Signed and Dated on Reverse
  • Rudolf Stingel, Untitled, 2023
    Rudolf Stingel
    Untitled, 2023
    Digital print with offset relief transfer mounted on Stonehenge paper
    22.5 x 27 inches
    Edition of 100
    Signed and Numbered
  • RYCA, $, 2020
    RYCA
    $, 2020
    23ct Gold Leaf finish
    17 x 15 x 2 inches
    Edition of 9
    Signed and numbered on reverse
  • RYCA, Still Life 1 , 2018
    RYCA
    Still Life 1 , 2018
    Mixed Media, Composite board, painted resin and acrylic case
    14 x 4 inches (round)
    Unique of which 6 were made
    Signed and Dated on reverse
  • Sally Michel Avery, Red Bolero, 1981
    Sally Michel Avery
    Red Bolero, 1981
    Oil on Canvas Board
    16 x 12 inches
    Signed bottom right, Titled and Dated, and signed on reverse
  • Sally Michel Avery, Artist at Leisure, 1957
    Sally Michel Avery
    Artist at Leisure, 1957
    Watercolor and Pencil on paper
    20 x 13 inches
    Signed and Dated bottom right
  • Salvador Dali, Cybernetic Lobster Telephone, 1975
    Salvador Dali
    Cybernetic Lobster Telephone, 1975
    Color Lithograph
    28 x 21 1/4 inches
    Edition of 250
    Signed and Numbered
  • Salvatore Grippi, Untitled, 1966
    Salvatore Grippi
    Untitled, 1966
    Oil on canvas
    51 x 51 inches
    Signed and dated
  • Sam Francis, Untitled, 1988
    Sam Francis
    Untitled, 1988
    Acrylic on Canvas
    7.25 x 4 inches
    Signed on reverse
  • Scooter Laforge, Tootsie, 2016
    Scooter Laforge
    Tootsie, 2016
    Acrylic on Linen
    20 x 20 inches
    Signed and titled on reverse
  • Sean Scully, Red Fold, 2006
    Sean Scully
    Red Fold, 2006
    Aquatint, Spit bite and sugar lift on paper
    Signed, Dated and Numbered
    Edition of 50
    19.5 x 15 inches
  • Solomon Ethe, Abstract Composition , 1961
    Solomon Ethe
    Abstract Composition , 1961
    Oil on Canvas
    21 x 23 inches
    Signed and Dated
  • Stephen Dean, untitled (help wanted), 1997
    Stephen Dean
    untitled (help wanted), 1997
    Acrylic on news print
    14 x 12 inches
    Signed
  • Suellen Rocca, Bag Lady, Circa 1982
    Suellen Rocca
    Bag Lady, Circa 1982
    Colored pencil and marker on paper
    11.5 x 9 inches
    Signed lower right
  • Terence Koh, Diamond Sunset, 2015
    Terence Koh
    Diamond Sunset, 2015
    Mixed Media construction
    16 x 14 x 2 inches
    Signed and Dated on reverse
  • Théo Tobiasse, Pourquoi réveiller les hommes de leur rêve, 1976
    Théo Tobiasse
    Pourquoi réveiller les hommes de leur rêve, 1976
    Oil on paper laid to canvas
    20 x 27 1/2 inches
    Signed, titled and dated
  • Tom Holland, Untitled, 1972
    Tom Holland
    Untitled, 1972
    Mixed Media with Collage on paper
    13 x 29.25 inches
    Signed and Dated
  • Tom of Finland, Untitled, 1978 - 2024
    Tom of Finland
    Untitled, 1978 - 2024
    Giclee on paper
    16 x 14 inches
    Edition of 70
  • Tom Wesselmann, Quick Nude Torso & Landscape Drawing (double sided drawing), 1980
    Tom Wesselmann
    Quick Nude Torso & Landscape Drawing (double sided drawing), 1980
    Colored marker on paper
    12 x 11 inches (Quick Nude Toroso Drawing)
    11 x 14 inches (Landscape Drawing on reverse)
    Initialed and Dated '80, lower right
    Tom Wesselmann Inventory Number D8052
  • Tom Wesselmann, SMOKER STUDY (USING MOUTH #16), 1967 & 1972
    Tom Wesselmann
    SMOKER STUDY (USING MOUTH #16), 1967 & 1972
    Unique cut-out painting on Bristol Board, graphite, Liquitex acrylic
    Wesselman Archive #D58
    6 1/2 x 11 1/4 inches
    Signed on reverse
  • Tom Wesselmann, Great American Nude Cut-Out, 1970
    Tom Wesselmann
    Great American Nude Cut-Out, 1970
    Thinned liquitex and pencil in colors on die-cut rag museum board
    16 x 20 inches
    Edition of 100
    Signed and Dated
  • Tom Wesselmann, Seascape (foot), 1967
    Tom Wesselmann
    Seascape (foot), 1967
    Screen printed Vacuum-formed Plexiglass multiple in colors
    14.25 x 13 inches
    Proof, outside the edition of 101
    Signed
  • Tracy Kerdman, Perverse Painting, 2018
    Tracy Kerdman
    Perverse Painting, 2018
    Oil on canvas
    18 x 18 inches
    Signed, Titled and dated on reverse
  • Val Bertoia, Untitled , circa 1975
    Val Bertoia
    Untitled , circa 1975
    Beryllium copper, brass, bronze
    23 3/4 x 7 x 7 inches
    Signed
  • Various Artists, Portfolio 'SMS (Shit Must Stop): A Collection of Original Multiples’, 1968
    Various Artists
    Portfolio 'SMS (Shit Must Stop): A Collection of Original Multiples’, 1968
    Artists Include:
    Marcel Duchamp; James Lee Byars; Roy Lichtenstein; Claes Oldenburg; Mel Ramos
    Complete series of six portfolios with a total of 72 multiples in various materials and techniques.
    11 x 7 x 8 inches
    One copy from an edition of initially 2,000 planned and ultimately approx. 600 realized copies
  • Victor Caglioti, Virgen’s Vertigo, 1971
    Victor Caglioti
    Virgen’s Vertigo, 1971
    Oil and Acrylic on Belgian Linen
    24 x 36 x 5 inches
    Signed, titled and Dated
  • Wolf Kahn, Summer Orchard, 1980
    Wolf Kahn
    Summer Orchard, 1980
    Pastel on paper
    14 x 18 inches
    Signed
  • Wolf Kahn, Barns Near the Atlantic Golf Club, 2003
    Wolf Kahn
    Barns Near the Atlantic Golf Club, 2003
    Pastel on paper
    22 1/4 x 30 inches
    Signed W. Kahn
  • Wolf Kahn, Long Barn, 2002
    Wolf Kahn
    Long Barn, 2002
    Pastel on paper
    7 x 10 inches
    Singed W Kahn on lower right
  • Wolf Kahn, Orange Descending, Circa 2000
    Wolf Kahn
    Orange Descending, Circa 2000
    Pastel on paper
    9 x 12 inches
    Signed
  • Wolfgang Tillmans, Doing well, 2001
    Wolfgang Tillmans
    Doing well, 2001
    Unique C-print
    23.89 x 20.13 inches
    Signed, Dated and Titled
  • Wolfgang Tillmans, Studio Voltaire Edition, 2019
    Wolfgang Tillmans
    Studio Voltaire Edition, 2019
    Inkjet Print
    12 x 9 inches
    Edition of 100
    Signed and Numbered
  • Xawery Wolski, Untitled (Stomach), Circa 1994
    Xawery Wolski
    Untitled (Stomach), Circa 1994
    Plaster Relief
    8 x 5 1/2 x 1 inches
  • Xawery Wolski, Untitled (Legs), Circa 1994
    Xawery Wolski
    Untitled (Legs), Circa 1994
    Plaster with steal base
    54 x 14 1/2 x 14 1/2 inches
  • Xawery Wolski, Untitled (White Relief), Circa 1994
    Xawery Wolski
    Untitled (White Relief), Circa 1994
    Plaster Relief
    11 x 10 1/2 x 2 inches
  • Yves Zurstrassen, 28 07 05, 2005
    Yves Zurstrassen
    28 07 05, 2005
    Oil on Canvas
    4 3/4 x 18 1/2 inches
    Signed, titled and dated on reverse
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