Artworks

  • Ludwig Sander, Untitled (Abstraction), 1962
    Ludwig Sander
    Untitled (Abstraction), 1962
    Charcoal on paper
    23 x 19 inches
    Signed and Dated
  • Luke Hein, Diffusion 1, 2023
    Luke Hein
    Diffusion 1, 2023
    Acrylic on Wood Panel
    16 x 11 x 2 inches
    Signed and Titled on Reverse
  • Man Ray, La Palette , 1944
    Man Ray
    La Palette , 1944
    Oil on Paper
    15 3/8 x 7 inches
    Signed with the initials and with the studio dry stamp 'MR Man Ray' (lower right); titled 'la palette' (lower left)
  • Marc Chagall, Le fou qui vend la sagesse (#91) from Jean De La Fontaine Fables, 1927-1930
    Marc Chagall
    Le fou qui vend la sagesse (#91) from Jean De La Fontaine Fables, 1927-1930
    Etching and aquatint
    11 x 9 inches
    Edition of 100
    Signed and numbered
  • Marc Quinn, Ice Age, 2023
    Marc Quinn
    Ice Age, 2023
    Archival Pigment Print with Screenprinting and Diamond Dust
    36 inches round
    Edition of 50
    Signed and Numbered
  • Mark Kostabi, Feel the Burn, 1990
    Mark Kostabi
    Feel the Burn, 1990
    Mezzotint & Etching on wove paper
    Edition of 34
    22 x 15 inches
    Signed and Numbered
  • Mark Kostabi, On the Edge, 1988
    Mark Kostabi
    On the Edge, 1988
    Bronze
    24 x 28 x 17 inches
    Edition of 8
    Signed
  • Martyn Quinn, Tsunami, 2019
    Martyn Quinn
    Tsunami, 2019
    Oil paint on round metal
    20 inches round
    Signed, titled and Dated on reverse
  • Mary Abbott, Beach, Southhampton, Circa 1988
    Mary Abbott
    Beach, Southhampton, Circa 1988
    Watercolor on paper
    7 x 10 inches
    Signed "Abbott" in pencil lower right and "M. Abbott" upside down at upper left, titled, marked "Top" and "Bottom" on verso, and signed and inscribed upside-down, "Beach, Southampton, End at road as dusk & storm comes, maybe I'll get killed, M. Abbott”
  • Mary Abbott, Southhampton Seas, 1988
    Mary Abbott
    Southhampton Seas, 1988
    Watercolor on paper
    7 x 10 1/4 inches
    Signed "Abbott" lower left, signed "Mary Lee Abbott", dated and titled on verso.
  • Maurice Brazil Prendergast, The Beach and Along the Sea with Boat and People (a double sided painting on paper), Circa 1898-1899
    Maurice Brazil Prendergast
    The Beach and Along the Sea with Boat and People (a double sided painting on paper), Circa 1898-1899
    Watercolor and pencil on paper (each side)
    11 1/4 x 16 3/4 inches
    Signed lower left
  • Maurice Utrillo, Along the Seine, Circa 1935
    Maurice Utrillo
    Along the Seine, Circa 1935
    Watercolor on paper
    15 x 11 inches
    Signed
  • Maybelle Stamper, Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Maybelle Stamper
    Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Watercolor, pen and graphite on wove paper
    11.5 x 16 inches
    Signed on front left bottom
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled , Circa 1930s
    Maybelle Stamper
    Untitled , Circa 1930s
    Oil on Board
    14 x 12
    Signed on front right bottom
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (abstract study), Circa 1950s
    Maybelle Stamper
    Untitled (abstract study), Circa 1950s
    Oil on torn handmade paper
    10.25 x 7.50 inches
    Signed on top middle
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (Bird) , Circa 1940s
    Maybelle Stamper
    Untitled (Bird) , Circa 1940s
    Watercolor, and pen on paper
    14 x 10 inches
    Signed bottom right
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled (Bird) , Circa 1930s
    Maybelle Stamper
    Untitled (Bird) , Circa 1930s
    Charcoal and graphite on drawing paper
    18.5 x 14 inches
    Signed top left edge
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Illustration for Poems "Design for Dying” by Virginia Bethel, Circa 1950s
    Maybelle Stamper
    Illustration for Poems "Design for Dying” by Virginia Bethel, Circa 1950s
    Hand-colored lithograph on paper, with drawing of Bird on reverse of paper
    8 x 9 inches
    Signed and annotated on lithograph sleeve
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Maybelle Stamper, Untitled Seascape, Circa 1940s
    Maybelle Stamper
    Untitled Seascape, Circa 1940s
    Oil on paper mounted on board
    15.5 x 26 inches
    Signed bottom right
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
  • Mel Ramos, Zebra, 1979
    Mel Ramos
    Zebra, 1979
    6 Color Lithograph
    25 1/2 x 20 1/2 inches
    Edition of 250
    Signed and Dated
  • Mike Kelley, Extracurricular Activity Projective Reconstruction # 13 (Jewess), 2004-2005
    Mike Kelley
    Extracurricular Activity Projective Reconstruction # 13 (Jewess), 2004-2005
    Chromogenic print and black-and-white Piezo print on rag paper
    Edition of 5
    40 x 66 inches
    Signed M. Kelly on reverse
  • Milton Avery, Seated Nude with Velvet Ribbon, Circa 1950
    Milton Avery
    Seated Nude with Velvet Ribbon, Circa 1950
    Pencil on paper
    13 3/4x16 3/4 inches
    Signed in ball-point pen and blue ink, lower right recto
  • Milton Avery, Landscape Studies with a Cow and Barn, Circa 1930
    Milton Avery
    Landscape Studies with a Cow and Barn, Circa 1930
    Crayon on cream wove paper
    11x8 1/2 inches
    Signed in pencil, lower right recto
  • Milton Avery, Standing Nude seen from Behind, Circa 1950
    Milton Avery
    Standing Nude seen from Behind, Circa 1950
    Pencil on cream wove paper
    11 x 8 1/2 inches
    Signed in pencil, lower right recto
  • Mirza Cizmic, Stolen Memories-Utopia (mother with child), 2021
    Mirza Cizmic
    Stolen Memories-Utopia (mother with child), 2021
    Oil on primed paper
    30 x 22 inches
    Signed and Dated
  • Mirza Cizmic, Secret Life of Mr. Bear, 2021
    Mirza Cizmic
    Secret Life of Mr. Bear, 2021
    Oil on primed paper
    22 x 30 inches
    Signed and Dated
  • Mirza Cizmic, Midnight call Part II, 2021
    Mirza Cizmic
    Midnight call Part II, 2021
    Oil on primed paper
    11.5 x 17 inches
    Signed and Dated
  • Mona Kuhn, Amsterdam VI, 2004
    Mona Kuhn
    Amsterdam VI, 2004
    Chromogenic dye coupler
    Photograph
    20 × 20 in
    Edition of 10
    Signed, Dated and Numbered
  • Morgan, Untitled (Green Abstract Composition), 1966
    Morgan
    Untitled (Green Abstract Composition), 1966
    Painted metal form
    24 x 24 x 7 inches
    Signed Morgan and Dated (verso)
  • Moyosore Martins, Untitled I, 2023
    Moyosore Martins
    Untitled I, 2023
    Oil Stick, pigments and Charcoal on canvas
    28 x 22 inches
    Signed & dated
  • Moyosore Martins, Untitled II, 2023
    Moyosore Martins
    Untitled II, 2023
    Mixed media and Oil paint, Oil Stick and Charcoal on canvas
    28 x 22 inches
    Signed and Dated
  • Murjoni Merriweather, Elara, 2021
    Murjoni Merriweather
    Elara, 2021
    Ceramic, Glitter, yarn, found earrings and synthetic fair
    20.5 x 7 x 10 inches
    Signed
  • Nan Goldin, Lost Horizon, 2021
    Nan Goldin
    Lost Horizon, 2021
    Archival pigment print
    6 × 6 inches
    From an unknown edition
    Signed
  • Nan Goldin, The Women’s March, 1789, 2019
    Nan Goldin
    The Women’s March, 1789, 2019
    Color Multiple print
    12 x 12 inches
    Edition of 250
    Signed, Numbered and Dated
  • Nancy Gifford, Dazed (Just for fun Series), 2022
    Nancy Gifford
    Dazed (Just for fun Series), 2022
    Acrylic, Graphite, paper, metal, and mixed media on birch panel
    9 x 9 x 2 inches
    Signed and Dated on reverse
  • Nancy Gifford, Waiting for a Miracle (Just for fun Series), 2022
    Nancy Gifford
    Waiting for a Miracle (Just for fun Series), 2022
    Acrylic, Graphite, paper, metal, and mixed media on birch panel
    12 x 12 x 2 inches
    Signed and Dated on reverse
  • Nancy Gifford, Shunting, (Undercover Series), 2004
    Nancy Gifford
    Shunting, (Undercover Series), 2004
    Vintage book cover set, stainless hex bolts on birch panel
    56 x 36 x 2 inches
  • Nancy Gifford, Lucid Dream (Glow Series), 2001
    Nancy Gifford
    Lucid Dream (Glow Series), 2001
    Acrylic, photoluminescent paint on birch panel
    12 x 12 x 1 inches
  • Nancy Gifford, Quiet Luxury, Screams Privilege (From Sound Byte Duet Series), 2024
    Nancy Gifford
    Quiet Luxury, Screams Privilege (From Sound Byte Duet Series), 2024
    Mixed media, Laser cut acrylic relief on cradled birch with engraved braille translation
    8 x 8 x 2 inches
    Signed and Dated and Titled on reverse
  • Nancy Gifford, Age Gracefully (24.010 Sound Byte Duets Series), 2024
    Nancy Gifford
    Age Gracefully (24.010 Sound Byte Duets Series), 2024
    Felt, Dymo Tape, acrylic on cradled birch
    8 x 6 x 1 inches
    Signed and titled on reverse
  • Nancy Gifford, White (17.015 Mincing Words Series), 2024
    Nancy Gifford
    White (17.015 Mincing Words Series), 2024
    Acrylic and resin on cradled birch
    8 x 10 x 1 inches
    Signed and titled on reverse
  • Nancy Gifford, Drowning , 2019
    Nancy Gifford
    Drowning , 2019
    Mixed Media, acrylic on board
    16 x 11 x 1.5 in
    Signed, Dated, and Titled on reverse
  • Nancy Gifford, Crazy Times Series: Oh Crimey, 2017
    Nancy Gifford
    Crazy Times Series: Oh Crimey, 2017
    Acrylic, Men’s white shirts, graphite, resin on birch panel
    96 x 36 x 4 inches
    Signed & Dated
  • Nancy Gifford, Drowning (2), 2019
    Nancy Gifford
    Drowning (2), 2019
    Mixed Media, acrylic on board
    16 x 11 x 1.5 inches
    Signed, Dated, and Titled on reverse
  • Nancy Gifford, Oh Oh, 2017
    Nancy Gifford
    Oh Oh, 2017
    Graphite on vellum, aluminum, resin on birch
    12 x 12 x 2 inches
    Signed
  • Nick Gentry, Surface, 2014
    Nick Gentry
    Surface, 2014
    Film Negatives, Oil Paint and Resin, on glass panels in LED Lightbox
    33 x 25 x 6 inches
    Signed and Dated
  • Nick Gentry, Binary, 2021
    Nick Gentry
    Binary, 2021
    Used floppy disks and paint on wood
    19 x 32 inches
    Signed and Dated
  • Nick Gentry, Constuct (diptych), 2011
    Nick Gentry
    Constuct (diptych), 2011
    Mixed Media Oil paint, Computer Disks on two wood panels
    9 x 19 inches
    Signed and Dated
  • Nick Gentry, Mask 1, 2023
    Nick Gentry
    Mask 1, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    20.5 x 29.5 inches
    Signed and Dated
  • Nick Gentry, Populous, 2023
    Nick Gentry
    Populous, 2023
    Used computer disks and oil paint on wood
    37 x 28 inches
    Signed and Dated
  • Nick Gentry, Replicant 3, 2023
    Nick Gentry
    Replicant 3, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    20.5 x 29.5 inches
    Signed and Dated
  • Nick Gentry, Profile Number 3, 2011
    Nick Gentry
    Profile Number 3, 2011
    Mixed paint and used computer disks on wood
    8 x 8 inches
    Signed and Dated
  • Nick Gentry, The Fool, 2023
    Nick Gentry
    The Fool, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    10 x 9 inches
    Signed and Dated
  • Nick Gentry, Alien Landscape 1, 2024
    Nick Gentry
    Alien Landscape 1, 2024
    Vintage computer punch cards and gouache paint
    8.25 x 22 inches
    Signed & Dated
  • Nick Gentry, Martian Landscape 1, 2024
    Nick Gentry
    Martian Landscape 1, 2024
    Vintage computer punch cards and gouache paint
    13 inches x 29.5 inches
    Signed & Dated
  • Nick Gentry, Analogue Montage Number 1, 2023
    Nick Gentry
    Analogue Montage Number 1, 2023
    Used VHS cassette tapes, spray paint and oil paint on wood
    32.25 x 37 inches.
    Signed and Dated
  • Nick Gentry, Civilian, 2024
    Nick Gentry
    Civilian, 2024
    Oil and acrylic paint on linen
    47 x 35 inches
    Signed & Dated
  • Nick Gentry, Blockhead 1, 2024
    Nick Gentry
    Blockhead 1, 2024
    Oil and acrylic paint on linen
    40 x 28 inches
    Signed & Dated
  • Nick Gentry, Nightvision, 2024
    Nick Gentry
    Nightvision, 2024
    Oil and acrylic paint on linen
    24 x 16 inches
    Signed & Dated
  • Nick Gentry, Operator, 2024
    Nick Gentry
    Operator, 2024
    Oil and acrylic paint on linen
    24 x 16 Inches
    Signed & Dated
  • Nick Gentry, E2 – E4, 2024
    Nick Gentry
    E2 – E4, 2024
    Oil and acrylic paint on canvas
    40 x 30 inches
    Signed & Dated
  • Nicola L, Lips Lamp (Levres floor lamp), 1969
    Nicola L
    Lips Lamp (Levres floor lamp), 1969
    Patinated steel, chromed metal, molded and tinted plexiglass
    53 1/2 x 27 1/2 inches
    Edition of 25
    Signed "Nicola 1969”
  • Nicolas Party, Flowers and few colors, 2013
    Nicolas Party
    Flowers and few colors, 2013
    Color Screenprint
    36 x 28 inches
    Edition of 40
    Signed and Dated
  • Norman Rockwell, Untitled Study (Reclining Female & Portrait Study), Circa 1950s
    Norman Rockwell
    Untitled Study (Reclining Female & Portrait Study), Circa 1950s
    Watercolor and Graphite on cream Wove paper
    15 3/4 x 24 1/4 inches
    Signed in ink
  • Norris Embry, Untitled, 1979
    Norris Embry
    Untitled, 1979
    Mixed media, painting on paper
    24 × 18 inches
    Signed
  • Otis Hope Carey, Gaagal (Ocean) Orange, 2025
    Otis Hope Carey
    Gaagal (Ocean) Orange, 2025
    Acrylic on canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    13 x 10 inches
    25 x 33 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) , 2025
    Otis Hope Carey
    Gaagal (Ocean) , 2025
    Acrylic on stretched canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    13 × 10 in
    33 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2023
    Otis Hope Carey
    Gaagal (Ocean), 2023
    Acrylic on canvas
    47 × 36 in
    119.4 × 91.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) Pink, 2025
    Otis Hope Carey
    Gaagal (Ocean) Pink, 2025
    Acrylic on stretched canvas
    12 × 10 in
    30.5 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2024
    Otis Hope Carey
    Gaagal (Ocean), 2024
    Acrylic on stretched canvas
    26 × 25 inches
    66 × 63.5 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean) Yellow, 2025
    Otis Hope Carey
    Gaagal (Ocean) Yellow, 2025
    Acrylic on stretched canvas
    12 × 10 in
    30.5 × 25.4 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    25 x 25 inches
    63.5 x 63.5 cm
    Signed and Dated
  • Otis Hope Carey, Gaagal (Ocean), 2025
    Otis Hope Carey
    Gaagal (Ocean), 2025
    Acrylic on canvas
    47.24 x 35.83 inches
    91 x 120 cm
    Signed and Dated
  • Pablo Picasso, Gentilhomme, Femme honteuse et Reître, from: Séries 347, 1968
    Pablo Picasso
    Gentilhomme, Femme honteuse et Reître, from: Séries 347, 1968
    Etching, on wove paper
    11 x 14 inches
    Edition of 50
    Signed and numbered
  • Pablo Picasso, Peintre à Lavallière dessinant son modèle dans le Cadre de la Maison Tellier (B. 1871; Ba. 1876) from la Série 156, 1970
    Pablo Picasso
    Peintre à Lavallière dessinant son modèle dans le Cadre de la Maison Tellier (B. 1871; Ba. 1876) from la Série 156, 1970
    Etching on Wove paper
    Edition of 50
    25 by 30.125 inches
    Artist’s stamped signature
  • Pablo Picasso, Oursin (A.R. 268), 1955
    Pablo Picasso
    Oursin (A.R. 268), 1955
    White earthenware ceramic bowl with colored engobe and glaze
    Edition 97/150
    Diameter: 6 7⁄8 inches
    Dated '31.3.55.' (in reverse; lower centre); stamped, marked and numbered 'Madoura Empreinte Originale de Picasso / K. 116 97/150' (underneath)
  • Pablo Picasso, Groupe avec homme dans un fauteuil à boules, pl. 21 (from Serie 347), 1968
    Pablo Picasso
    Groupe avec homme dans un fauteuil à boules, pl. 21 (from Serie 347), 1968
    Drypoint Intaglio Etching on white wove.
    Edition of 50
    12 x 16.1 inches
    Signed lower right
  • Pablo Picasso, Picador (Bullfighter), 1953
    Pablo Picasso
    Picador (Bullfighter), 1953
    Red Earthware Turned Bowl, painted in black with colored engobe and partial brushed glaze
    Edition 414 of 500
    6 1/2 inches diameter
    (and incised 'EDITION PICASSO' and 'MADOURA' in black paint on the underside)
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