Artworks

  • Jenny Holzer, Inflammatory Essays 5, 1979-82
    Jenny Holzer
    Inflammatory Essays 5, 1979-82
    Mini Electric LED Sign with Diodes in Colors
    4 x 4.75 inches
    Edition of 100
  • Jenny Holzer, Truism 4 (Mother & Child), 1990
    Jenny Holzer
    Truism 4 (Mother & Child), 1990
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, War, 1992
    Jenny Holzer
    War, 1992
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, Truism 2, 1977-79
    Jenny Holzer
    Truism 2, 1977-79
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jenny Holzer, Living 2, 1980-82
    Jenny Holzer
    Living 2, 1980-82
    Mini Electric LED Sign with Diodes in Colors
    4" x 4-3/4" x 1-1/2” inches
    Edition of 100
  • Jess Valdivia, Anthonie, 2013
    Jess Valdivia
    Anthonie, 2013
    Gelatin Silver Print
    20 x 16 inches
    Signed and Dated
  • Jess Valdivia, BunnyHood, 2016
    Jess Valdivia
    BunnyHood, 2016
    Gelatin Silver Print
    20 x 16 inches
    Signed and Dated
  • Jess Valdivia, Mother, 2012
    Jess Valdivia
    Mother, 2012
    Gelatin Silver Print
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, AnaMariaBraided, 2012
    Jess Valdivia
    AnaMariaBraided, 2012
    GelatinSilverPrint
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, Alfred , 2013
    Jess Valdivia
    Alfred , 2013
    Gelatin Silver Print
    14 x 11 inches
    Signed and Dated
  • Jess Valdivia, Self Portrait, 2009
    Jess Valdivia
    Self Portrait, 2009
    Gelatin Silver Print
    11 x 14 inches
    Signed and Dated
  • Jim Dine, 2 Washing Palettes, 1963
    Jim Dine
    2 Washing Palettes, 1963
    Graphite & Watercolor on paper
    22 x 30 inches
    Signed and Dated
  • Jim Dine, Untitled - Artist Palette with Heart in Red, Circa 1986
    Jim Dine
    Untitled - Artist Palette with Heart in Red, Circa 1986
    Acrylic on wooden artist’s palette
    12 x 15 inches
    Signed
  • Joan Miró, La Commedia Dell’Art V., 1979
    Joan Miró
    La Commedia Dell’Art V., 1979
    Color Etching and Aquatint on Arches paper
    22 x 29.9 inches
    Edition of 30
    Signed and Numbered
  • John Baeder, Untitled, 1977
    John Baeder
    Untitled, 1977
    Watercolor on paper
    11 1/2 x 17 inches
    Signed and Dated on reverse
  • John Baldessari, Lamp, 1998
    John Baldessari
    Lamp, 1998
    Color Inkjet Print
    11 1/2 x 9 inches
    Unknown Edition
    Signed and Dated
  • John Nixon, Untitled (white cross on black - LA), 1992
    John Nixon
    Untitled (white cross on black - LA), 1992
    Enamel on canvas
    18 x 14 inches
    Signed
  • John Reuss, Slab, 2019
    John Reuss
    Slab, 2019
    Acrylic and Charcoal on canvas
    24 × 32 × 3 inches
    Signed
  • John Reuss, Edge, 2019
    John Reuss
    Edge, 2019
    Acrylic and Charcoal on canvas
    32 × 32 × 2 inches
    Signed
  • John Reuss, Dissolve, 2019
    John Reuss
    Dissolve, 2019
    Acrylic and Charcoal on canvas
    24 × 24 × 2 inches
    Signed
  • John Reuss, Disconnect, 2019
    John Reuss
    Disconnect, 2019
    Acrylic and Charcoal on canvas
    24 × 24 × 2 inches
    Signed
  • John Reuss, Shadow Smile, 2019
    John Reuss
    Shadow Smile, 2019
    Acrylic and Charcoal on canvas
    28 × 20 × 2 inches
    Signed
  • John Rogers, Blonde Bunny, 2022
    John Rogers
    Blonde Bunny, 2022
    Oil on Canvas
    16 x 12 inches
    Signed and dated on reverse
  • John Willenbecher, Untitled (from the Stamped Indelibly Portfolio), 1967
    John Willenbecher
    Untitled (from the Stamped Indelibly Portfolio), 1967
    Rubber Stamp on BFK Rives paper
    9.5 x 6.5 inches
    Edition of 225
    Signed and Dated
  • Jonas Wood, Bonsai , 2022
    Jonas Wood
    Bonsai , 2022
    13-color Screenprint on rising museum board
    28 x 23 inches
    Edition of 200
    Signed, Dated, and Numbered
  • Jorge Galindo, Lecciones de color, 2020
    Jorge Galindo
    Lecciones de color, 2020
    Silkscreen on canvas
    13.4 × 13.4 inches
    Edition of 50
    Signed and Dated
  • Jose Felix Perez, Dizzying Heights, 2020
    Jose Felix Perez
    Dizzying Heights, 2020
    Acrylic on Canvas
    20 x 16 inches
    Signed, Dated and titled on reverse
  • Josef Albers, Late, from Soft Edge-Hard Edge, 1965
    Josef Albers
    Late, from Soft Edge-Hard Edge, 1965
    Color Screenprint
    11 x 11 inches
    Edition of 50
    Signed, Numbered, and Dated
  • Josef Albers, Midnight-+-Noon-I, 1964
    Josef Albers
    Midnight-+-Noon-I, 1964
    Color lithograph on Arches paper
    Unique Trial Proof
    15.75 x 15.75 inches
    Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin.
  • Josef Albers, Variants 1 (from the Ten Variants Series), 1966
    Josef Albers
    Variants 1 (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants-III (from the Ten Variants Series), 1966
    Josef Albers
    Variants-III (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants-IV (from the Ten Variants Series), 1966
    Josef Albers
    Variants-IV (from the Ten Variants Series), 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, Variants II, from Ten Variants, 1966
    Josef Albers
    Variants II, from Ten Variants, 1966
    Six screenprints in colors, on Rives BFK paper
    17 x 17 inches
    Edition of 200
    Signed, Titled, Dated and Numbered
  • Josef Albers, JHM-I, 1973
    Josef Albers
    JHM-I, 1973
    (from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio)
    Color Screenprint on German Etching paper
    Edition of 144

    25 x 35 inches
    Signed, Dated and Numbered
  • Josef Albers, JHM-II , 1973
    Josef Albers
    JHM-II , 1973
    (from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio)
    Color Screenprint on German Etching paper
    25 x 35 inches
    Edition of 144
    Signed, Dated and Numbered
  • Josef Albers, I-S Va 4 (from Six Variants), 1969
    Josef Albers
    I-S Va 4 (from Six Variants), 1969
    Color Screenprint on Arches paper
    27 15/16 x 35 7/8 inches
    Edition of 150
    Signed, titled, dated and numbered in pencil
  • Joseph Cornell, Untitled (Black Sand Box), Circa 1952
    Joseph Cornell
    Untitled (Black Sand Box), Circa 1952
    Mixed Media Collage, glass, wood, sand, metal and paper in wooden box construction
    11.75 x 8.5 x 1.5 inches
    Signed on reverse
  • Joseph Cornell, Untitled (2C-38E), 1969
    Joseph Cornell
    Untitled (2C-38E), 1969
    Mixed Media Collage
    12 x 9 inches
    Signed on reverse
    Artist Estate Inventory #UC 17.1D
  • Juan Hamilton, Untitled, circa 1981
    Juan Hamilton
    Untitled, circa 1981
    Black lacquered bronze
    19 x 21 inches
    Signed, Dated on the underside
  • Julian Opie, Four Parking Tickets, 1984
    Julian Opie
    Four Parking Tickets, 1984
    Oil on Steel and Assemblage
    49 x 55 x 21 inches
    Signed and Dated 1984 (on upper ticket)
  • Katherine Bernhardt, One Cigarette on Black in Green, 2017
    Katherine Bernhardt
    One Cigarette on Black in Green, 2017
    Acrylic and spray paint on canvas
    12 x 38 inches
    Signed and Dated
  • Katherine Bernhardt, Nike Panther, 2019
    Katherine Bernhardt
    Nike Panther, 2019
    Six Color Lithograph on paper
    20 x 30 inches
    Edition of 100
    Signed, Titled, and Numbered
  • Kathy Kissik, Vitality Factory, 2023
    Kathy Kissik
    Vitality Factory, 2023
    Mixed Media
    16 x 16 x 4 inches
    Signed and Dated on reverse
  • Kathy Kissik, Big Factory, 2022
    Kathy Kissik
    Big Factory, 2022
    Mixed Media
    16 x 16 x 4 inches
    Signed and Dated on reverse
  • Kathy Kissik, Ascent , 2023
    Kathy Kissik
    Ascent , 2023
    Mixed Media
    18 x 24 inches
    Signed and Dated on reverse
  • Kathy Kissik, Wildflower, 2023
    Kathy Kissik
    Wildflower, 2023
    Mixed Medium, acrylic, oil paint, ink, gel transfers, photos, varnish on Belgian linen
    48 x 56 x 3 inches
    Signed and Dated
  • Kathy Kissik, Compassion Factory (Factory 49, From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Compassion Factory (Factory 49, From FundaMENTAL Factory Series), 2024
    Mixed media, collage, acrylic paint, found objects, repurposed chrome letter O, epoxy, varnish
    8.5 x 7.5 x 3.75 inches
  • Kathy Kissik, Balance Factory (Factory 48, From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Balance Factory (Factory 48, From FundaMENTAL Factory Series), 2024
    Mixed media, collage, acrylic paint, found objects, repurposed chrome letter O, epoxy, varnish
    8.5 x 7.5 x 3.75 inches
  • Kathy Kissik, Optimism Factory (From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Optimism Factory (From FundaMENTAL Factory Series), 2024
    Mixed media, photos, epoxy, spray paint, trimmer line, grommet, on cradled wood panel
    12 x 9 x 2 inches
    Signed, Titled and Dated on Reverse
  • Kathy Kissik, Play Factory (From FundaMENTAL Factory Series), 2024
    Kathy Kissik
    Play Factory (From FundaMENTAL Factory Series), 2024
    Mixed media, photos, epoxy, spray paint, trimmer line, grommet, on cradled wood panel
    12 x 9 x 2 inches
    Signed, Titled and Dated on Reverse
  • Keith Haring, Poster for Nuclear Disarmament, 1982
    Keith Haring
    Poster for Nuclear Disarmament, 1982
    Offset-lithograph on heavy glazed paper
    24.125 x 18 inches

    
Signed on edge in felt pen 

  • Keith Haring, At Fun Gallery, 1983
    Keith Haring
    At Fun Gallery, 1983
    Offset Lithograph in Colors
    22 3/4 x 29 3/8 inches
    Unsigned
  • Keith Haring, Anti-Nuclear Rally (Poster) Poster For Nuclear Disarmament, 1982
    Keith Haring
    Anti-Nuclear Rally (Poster) Poster For Nuclear Disarmament, 1982
    Offset-lithograph on heavy glazed paper
    24 × 18 inches
    Unsigned
  • Kenny Scharf, Mouse Eats Cheese Underwater, 1993
    Kenny Scharf
    Mouse Eats Cheese Underwater, 1993
    Watercolor and ink on paper
    44 1/2 x 30 inches
    Signed and Dated on reverse By Kenny Scharf
    (also signed by his two daughters Zena & Malia who both contributed to the painting)
  • Komar & Melamid, Skyscraper, 1986-1987
    Komar & Melamid
    Skyscraper, 1986-1987
    Oil on Canvas and wooden Panel in Five parts
    107.5 × 48 inches
    Signed
  • Larry Rivers, Webster, 1978
    Larry Rivers
    Webster, 1978
    Unique Collage with Hand Coloring on Lithograph
    26 x 30.25 inches
    Signed far right bottom
  • Larry Rivers, Queen of Clubs, 1960
    Larry Rivers
    Queen of Clubs, 1960
    Oil on Canvas
    10 x 8 inches
    Signed
  • Larry Rivers, For Adults Only, 1971
    Larry Rivers
    For Adults Only, 1971
    Offset Color Lithograph on two sheets of Rives BFK paper
    70.5 x 29.8 inches
    Edition of 35
    Signed, Titled and Dated
  • Larry Rivers, Postponderance, 1960
    Larry Rivers
    Postponderance, 1960
    Charcoal on paper
    17 x 14 inches
    Signed and Dated
  • Larry Rivers, Untitled (King of Clubs), 1967
    Larry Rivers
    Untitled (King of Clubs), 1967
    Gouache, Pastel and Graphite on paper
    14 x 11 inches
    Signed
  • Larry Zox, Yellow Abstract, 1965
    Larry Zox
    Yellow Abstract, 1965
    Oil on Canvas Board
    9 1/8 x 11 inches
    Signed and Dated on Reverse
  • Lee Krasner, Embrace, 1976
    Lee Krasner
    Embrace, 1976
    Color Screenprint on Wove paper
    39 x 25 inches
    Edition of 200
    Signed and Numbered
  • Lois Gross Smiley, Untitled, Circa 1970
    Lois Gross Smiley
    Untitled, Circa 1970
    Oil on canvas
    27 x 17 inches
    Signed and Dated
  • Lou Ros, Plum Throated, 2021
    Lou Ros
    Plum Throated, 2021
    Acrylic, pastel, and spray paint on canvas
    19.75 x 15.75 inches
    Signed and Dated
  • Lou Ros, Golden Tailed, 2021
    Lou Ros
    Golden Tailed, 2021
    Acrylic, pastel, and spray paint on canvas
    19.75 x 15.75 inches
    Signed and Dated
  • Louise Bonnet, Figure Holding an Orange, 2024
    Louise Bonnet
    Figure Holding an Orange, 2024
    Ditone Print on Hahnemuhle photo Rag
    21 x 25 inches
    Edition of 100
    Signed and Numbered on reverse
  • Louise Bourgeois, Untitled (Undulating Ribbon), 1997
    Louise Bourgeois
    Untitled (Undulating Ribbon), 1997
    Crayon, ink and whiteout on paper
    9 x 11 7/8 inches
    Lower right: LB
  • Ludwig Sander, Untitled (Abstraction), 1962
    Ludwig Sander
    Untitled (Abstraction), 1962
    Charcoal on paper
    23 x 19 inches
    Signed and Dated
  • Luke Hein, Diffusion 1, 2023
    Luke Hein
    Diffusion 1, 2023
    Acrylic on Wood Panel
    16 x 11 x 2 inches
    Signed and Titled on Reverse
  • Man Ray, La Palette , 1944
    Man Ray
    La Palette , 1944
    Oil on Paper
    15 3/8 x 7 inches
    Signed with the initials and with the studio dry stamp 'MR Man Ray' (lower right); titled 'la palette' (lower left)
  • Marc Chagall, Le fou qui vend la sagesse (#91) from Jean De La Fontaine Fables, 1927-1930
    Marc Chagall
    Le fou qui vend la sagesse (#91) from Jean De La Fontaine Fables, 1927-1930
    Etching and aquatint
    11 x 9 inches
    Edition of 100
    Signed and numbered
  • Marc Quinn, Ice Age, 2023
    Marc Quinn
    Ice Age, 2023
    Archival Pigment Print with Screenprinting and Diamond Dust
    36 inches round
    Edition of 50
    Signed and Numbered
  • Marian Shapiro, Untitled , Circa 1970
    Marian Shapiro
    Untitled , Circa 1970
    Oil on canvas
    20 x 24 inches
    Signed
  • Mark Kostabi, On the Edge, 1988
    Mark Kostabi
    On the Edge, 1988
    Bronze
    24 x 28 x 17 inches
    Edition of 8
    Signed
  • Martyn Quinn, Tsunami, 2019
    Martyn Quinn
    Tsunami, 2019
    Oil paint on round metal
    20 inches round
    Signed, titled and Dated on reverse
  • Mary Abbott, Beach, Southhampton, Circa 1988
    Mary Abbott
    Beach, Southhampton, Circa 1988
    Watercolor on paper
    7 x 10 inches
    Signed "Abbott" in pencil lower right and "M. Abbott" upside down at upper left, titled, marked "Top" and "Bottom" on verso, and signed and inscribed upside-down, "Beach, Southampton, End at road as dusk & storm comes, maybe I'll get killed, M. Abbott”
  • Mary Abbott, Southhampton Seas, 1988
    Mary Abbott
    Southhampton Seas, 1988
    Watercolor on paper
    7 x 10 1/4 inches
    Signed "Abbott" lower left, signed "Mary Lee Abbott", dated and titled on verso.
  • Maurice Brazil Prendergast, The Beach and Along the Sea with Boat and People (a double sided painting on paper), Circa 1898-1899
    Maurice Brazil Prendergast
    The Beach and Along the Sea with Boat and People (a double sided painting on paper), Circa 1898-1899
    Watercolor and pencil on paper (each side)
    11 1/4 x 16 3/4 inches
    Signed lower left
  • Maurice Utrillo, Along the Seine, Circa 1935
    Maurice Utrillo
    Along the Seine, Circa 1935
    Watercolor on paper
    15 x 11 inches
    Signed
  • Maybelle Stamper, Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Maybelle Stamper
    Untitled Study (with handwritten poems in compositional form, throughout both front and reverse of painting), Circa 1940s
    Watercolor, pen and graphite on wove paper
    11.5 x 16 inches
    Signed on front left bottom
    Stamped and numbered on reverse by Estate of Maybelle Stamper.
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