Robert Mangold

Robert Mangold’s paintings, derived from the idea of geometry and asymmetry in shape and form, challenge the limits of the two-dimensional medium, beginning with his early works, which featured irregular canvases of varying sizes spray-painted in unobtrusive browns and tans. Mangold has been associated with Minimalism, however he also recalls sources from Ancient Greek pottery to Renaissance frescoes. For example, in his “Column Structure” paintings (2005-06), the artist demonstrated the evolution of his signature asymmetrical canvases into a vertical plane, evoking classical architectural elements; the delicate and muted stain contrasting the precision of his geometric shapes.

American, b. 1937, North Tonawanda, New York

Untitled (from the 4 x 4 portfolio) Untitled (from the 4 x 4 portfolio)
#10 Attic Series II #10 Attic Series II
#8 from Attic Series II #8 from Attic Series II
#6 from Attic Series II #6 from Attic Series II
#7 from Attic Series II #7 from Attic Series II
#9 from Attic Series II #9 from Attic Series II
UNTITLED, STATE A (COLOR) UNTITLED, STATE A (COLOR)
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Robert Mangold

Untitled (from the 4 x 4 portfolio)
Serigraph
Signed and Numbered
48 x 48 inches
Edition of 100
1991
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Robert Mangold

#10 Attic Series II
Aquatint with Etching
Signed Numbered
32 x 36 inches
Edition of 60
1991
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Robert Mangold

#8 from Attic Series II
Aquatint with Etching
Signed Numbered
32 x 36 inches
Edition of 60
1991
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Robert Mangold

#6 from Attic Series II
Aquatint with Etching
Signed Numbered
32 x 36 inches
Edition of 60
1991
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Robert Mangold

#7 from Attic Series II
Aquatint with Etching
Signed Numbered
32 x 36 inches
Edition of 60
1991
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Robert Mangold

#9 from Attic Series II
Aquatint with Etching
Signed Numbered
32 x 36 inches
Edition of 60
1991
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Robert Mangold

UNTITLED, STATE A (COLOR)
Color etchings and aquatints, on Somerset,
signed, dated and numbered.

Published by the Brooklyn Academy of Music, New York
16.5 x 24.5 inches
Edition of 75
1988
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