Louise Nevelson

​Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

American Jewish Congress Print American Jewish Congress Print
Presence Graphic Presence Graphic
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Louise Nevelson

American Jewish Congress Print
Screenprint in colors
Signed and Dated
32 x 26 inches
Edition of 100
1974
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Louise Nevelson

Presence Graphic
Color Etching with Collage
Signed and Dated
37.2 x 37 inches
Edition of 90
1970
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