Josef Albers

​Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and ‘60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

German-American, 1888–1976, Bottrop, Germany, based in Dessau, Germany, Black Mountain, North Carolina and New Haven, Connecticut

KG KG
I-S LXXIIb I-S LXXIIb
Arrived Arrived
wls-xvi - from the white Line Squares (Series II) wls-xvi - from the white Line Squares (Series II)
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Josef Albers

KG
Color Screenprint on Mohawk Superfine Bristol paper.
Signed and numbered.
Printed by Sirocco Screenprints, New Haven.
Published by Ives-Sillman, Inc., New Haven, for Kestner Gesellschaft, Hanover. Danilowitz 170.
11 x 11 inches
Edition of 350
1966
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Josef Albers

I-S LXXIIb
Color screenprint on German Etching paper
Signed, titled, dated and numbered.
Printed by Sirocco Screenprints, New Haven.
Published by Ives-Sillman, Inc., New Haven.
Published to commemorate Albers’s 84th birthday. Danilowitz 216.
17½ x 17½ inches
Edition of 100
1972
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Josef Albers

Arrived
Color Screenprint
Signed and dated “Albers '65” lower right
17 x 17 inches
Edition of 50
1965
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Josef Albers

wls-xvi - from the white Line Squares (Series II)
Color screenprint on paper
Signed and Numbered
20 x 20 inches
Edition of 125
1966
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